Returning to the Nuffield are Lancaster Alumni Paper People Theatre who will present an extract of their new work in development: Do Geese See God? This new show tries to find out how we know when a fact is true, out of date, misunderstood or just a lie. In this show, amongst the facts, all quite interesting, is one story of a young fact, personified, and her flight through life as she struggles to remain true. Alongside this sharing by Paper People, a group of emerging artists including Theatre 42 will present entirely new pieces they created as part of a peer-learning programme hosted by Making Room & Lancaster Arts.
James is a person who makes art, theatre and performance. His practice is built upon openness and a commitment to developing challenging work through high-risk experimentation. He co-created SheepKnuckle whose work blurs the boundaries between digital misuse, audience collaboration and live art. He is also a collaborating artist with Quarantine Theatre Company. James is based in Manchester, the city of rain.
James is looking forward to challenging himself to explore making work as an individual practitioner alongside the support and guidance of respected peers. He will use the opportunity as a springboard to further develop his ideas around patterns in communication within a post-truth world.
Having moved to Manchester for university in 2013, Ali has been making work and learning more about theatre in the north west with a keen interest. She has a particular interest in quirky solo performance and work that explores issues regarding identity and autobiography. Ali is an associate artist with Facade Theatre and has performed with Quarantine. Aside from making theatre and watching live performance, Ali likes cycling, going to zumba and watching German soaps.
Ali says, “taking part in Foot In The Door is really exciting for me. Since graduation I’ve worked hard to adjust to the making work without the help of university tutors and I think spending time with other like-minded artists will be a big boost for that. This scheme will enable me to explore new ideas and develop current ones in a friendly environment, whilst also offering me a chance to gain new skills in other areas. I can’t wait!”
Tin Can People
Tin Can People are an artistic collective led by Charlotte Berry & Rob Gregson who live and work in Preston. They make interdisciplinary theatre and performance, often question where we are, how we got here, and try to place ourselves in the worlds’ big issues. Tin Can People like to laugh at themselves, talk about the mundane and fantasize about alternative futures. The company have shared work for the past two years at festivals and emergent platforms both nationally and internationally. Currently they’re collaborating with participants Katie & Pip in the development of The Katie & Pip Project.
Tin Can People say, “Our commitment to Foot in the Door should prove as a vital stepping stone in the development of our practice, specifically for our upcoming performance The Katie & Pip Project, a performance that celebrates the relationship between Katie, a 14 year old type 1 diabetic girl and ‘Pip’ her 4 year old border collie, trained by Katie to save her life on a daily basis. As we are working with both a child and an animal, to have the support of professional practitioners will allow us the opportunity to experiment and fully scrutinize our material, whilst enabling us the chance to develop a strategy for future funding. As artists from Preston it’s important that we’re creating meaningful relationships with partners in the North West.“
Theatre 42, formed in 2016 by six Lancaster University graduates. Their first piece Nothing is Coming, the Pixels are Huge was performed as part of Manchester’s Emergency Festival and at Lancaster Arts. It is now undergoing further development with a view to touring next year. Their latest piece of work is being developed in collaboration with FITD. T42 is Anna West, Beatrice Sutton, David Callanan, Liz Duggan and Louise Cross and supported by Making Room.
As an emerging company, T42 is looking to take advantage of the opportunities presented and develop their professional image as well as the theatre they strive to make. The workshops and support offered by Foot In The Door is invaluable as it is based in the place where it all began for T42, but will open their eyes to the horizon and beyond.
Foot in the Door is supported by Arts Council England in a partnership between Making Room and Lancaster Arts.